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Hell,
no damnation
The Hellfire Caves
are located just outside of West Wycombe. Built around 1750 by
the second Sir Francis Dashwood, the Earl of Rosse (1708-1781),
they are an intriguingly named site… named after the Hellfire
Club, founded by the same earl… and for more than two centuries
linked with an awful lot of intrigue…
Philip Coppens
The
Hellfire Club. It is a spectacular name, in which the name seems
to impart that anyone who was a member may perhaps have liked
some of life’s luxuries that may have warranted a future
imprisonment in the hellfire. Indeed, they did. The club had a
steward, Paul Whitehead, whose job it was to keep inventories
of drinks and other material used by the members at their meeting
centre of Medmenham Abbey, on the Thames, 8 miles from West Wycombe.
Though today the Hellfire club is remembered through the name
of the caves, the club began its meetings in London, before moving
to the permanent location of Medmenham Abbey. The caves were even
a later folly of Dashwood and it remains unclear whether the club
ever actually used the caves for any of their meetings.
The
club began in the 1740s and went on swimmingly until 1763, when
its existence was made known through a series of controversial
articles. The original meetings are said to have taken place in
the George and Vulture Inn in the City, though some meetings were
also held in Dashwood’s house in Hanover Square, as well
as members’ houses elsewhere. It seems the club needed a
home of its own and Dashwood leased Medmenham Abbey in 1751 and
had it fitted for the benefit of the members of his club –
all belonging to the highest rank of English society. From then
on, the former Cistercian abbey would be home to the Hellfire
club, where they would meet, apparently all dressed in a white
hat, white jacket and white trousers, whilst the Prior –
Dashwood – himself had a red hat and a red bonnet.
It was only when the club was already going smoothly that Dashwood
decided to create the caves, which were dug between 1748 and 1754.
Though it is often said that this was done to keep the local people
at work during perilous economic times, the truth of the matter
is that Dashwood used a labour force coming from Cornwall to build
his subterranean world.
The
caves are one long tunnel, along which various niches and halls
have been inserted. Towards the end is an artificial river, ending
in the so-called “Inner Temple”, which sits 300 feet
underneath St Lawrence’s Church, located at the top of the
hill. The entrance to the caves is through at Gothic façade.
Why did he build them? According to the present Sir Francis Dashwood:
“I believe that Sir Francis was just having a bit of fun.
It was a time when follies and artificial caves were fashionable
– Horace Walpole had built a cave in his London house, Strawberry
Hill, and had purloined some stalactites from the natural caves
at Wookey Hill in Somerset, and there were many other examples
such as those at Stourhead and Stowe – but Sir Francis’
artificial cave is the largest and most curious of all.”
The caves were open to visitors ever since they were built, though
it seems that no-one besides the locals knew of them and thus
they can only have attracted a small number of visitors. The caves
were officially reopened in 1951, but they remained a dangerous
site, if only because the local vicar stated that evil influences
emanated from the cave. 10,000 visitors passed through them that
summer. But specifically the Great Hall was in a perilous condition
(its ceiling collapsing), as a result of which a corridor bypassing
the Great Hall was dug in the 1950s. In the following decades,
the Great Hall was made safe and today, visitors can once again
pass through it.
As
far as the Dashwood family is concerned, there is no immediate
mystery to his ancestor’s life. Still, the caves themselves
have some details that have become the subject of intrigue.
Inside the
caves are two Roman numerals. The first is “XXII”,
22, located on the left hand side of the wall some distance inside
the caves. Some believe that they are a measurement in poles of
the distance from the entrance. But why would anyone need to know
such information? Furthermore, why 22, and not 20, or any other
number? No wonder then that two poems have it that the location
of the number XXII marks the location of a secret passage, which
is said to run from the caves to the church above.
The other number is XXXIV – 34 – which is carved before
the entrance of the tunnel which leads to the main chapter room.
Again, no logical reason for its presence has been offered.
The end of the cave system is the so-called “Inner Temple”,
where it is believed that meetings of the Hellfire Club were occasionally
held. Some have labelled the room as the “vulva” of
the Great Mother goddess. Just before is an artificial river,
known as the “River Styx”. In 1796, a Mrs Philip Lybbe
Powys stated that the pool of water had to be crossed on stepping
stones, whereas previously there had been a boat. Later in 1863,
the pool of water was described as the river Styx. Today, a bridge
has been built over the “river”.
What
does it all mean? Most agree that the design had to do with the
Eleusian mysteries of ancient Greece. Modern visitors will feel
that the statues in the niches of the Great Hall, some of which
are of Mithraic design, underline this possibility. However, these
statues are fairly modern additions, for the benefit of the modern
visitors. What was in the niches originally, is not known.
What was the club up to? The name “Hellfire Club”
is open to various interpretations. We know that the group were
also known as the Knights of St Francis of Wycombe and the famous
painter Hogarth painted Dashwood as a Franciscan friar. But Dashwood’s
first name was Francis, so this cannot be seen as a major clue
to uncover the mystery…
A clue does come from the actions of Dashwood himself. In 1738,
he visited Italy and developed an antipathy towards the Roman
Catholic Church. But rather than become an atheist, he seems to
have embraced another religion. In paintings, he has himself depicted
in the presence of a statue of Venus. Furthermore, he adopts the
motto “Fay ce que voudras, Do as you wish”, which
he has taken from Rabelais and which is the same motto that Aleister
Crowley will use in the 20th century. Rabelais himself lent it
from St Augustine of Hippo. For his part, Dashwood has it inscribed
over the archway at the entrance of Medmenham, which thus can
be seen as the theme under which the club operated.
Dashwood made another journey to Italy in 1752, without his wife,
which most label as “mysterious” as its purpose remains
unknown. Some assume he went to Venice, as it was still the centre
of esoteric studies. Dashwood’s library discloses books
about magic that were bought in Venice, but the date of purchase
is unclear. Others have proposed a visit to Naples, which he had
visited on his first voyage, to view the initial excavations of
the Herculaneum (Pompeii). His return visit, some argue, was to
visit the art in the “House of Mysteries”… a
Roman brothel.
Dashwood
definitely created an ancient Egyptian-Graeco-Roman theme for
the club. The visitor to Medmenham was welcomed by a statue of
Harpocrates, the Egyptian god of silence, as well as of his female
equivalent, the goddess Angerona. They seem to be there to remind
the members that they are required to be silent about what goes
on inside.
As was customary of the time, specific care was not only given
to the house, but also to its gardens. At the entrance, there
was a statue of Venus, stooping to pull a thorn out of her foot.
There is also an inscription from Virgil:
Hic
locus est, partes ubi se via findit in ambas;
Hac iter Elyzium nobis ; at laeva malorum
Exercet poenas, et ad impia Tartara mittit.
“Here
is the place where the way divided into two; this on the right
is our route to Heaven, but the left-hand path exacts punishment
from the wicked, and sends them to pitiless Hell.” They
were, after all, the Hellfire club.
Most
prominent is a statue of Priapus. In myth, Priapus was the son
of Pan and Venus, and was born with constant erection. The phallus
of the statue was tipped with a flame, underlining the “fire”
aspect of the club. And if anyone was left in any doubt, there
was another inscription:
PENI
TENTO
non
PENITENTI
“A
tense penis, not penitence”, suggesting the club is not
a Christian penitent movement… but a sex club. That sex
was on the agenda, is no longer in any doubt. Next to the chapel
in Medmenham were some cells which, according to Horace Walpole,
were fitted with cots and the “brothers take their women
there”. “Among the amusement”, John Wilkes said,
“they had sometimes a mock celebration of the more ridiculous
rites of the foreign religious orders, of the Church of Rome,
of the Franciscans in particular…” Yet, Wilkes stated
he was never admitted to the chapter-room where these rites occurred,
so his opinion is just that; it is not evidence. At the same time,
it is known that women were allowed to partake in the joys of
the flesh too.
To
dismiss the club as “just” a sex club would not do
it justice. Though sex was important, the members placed sex in
a religious framework, as it had existed in ancient times. In
1977, Jesse Lasky Jr and Pat Silver argued that Dashwood was indeed
restoring pagan worship. Thus, the Friars drink in honour of Bacchus,
or Dionysos. Lt.-Col. Towers stated: “My interpretation
of the caves remains as stated, that they were used as a Dionysian
oracular temple, based upon Dashwood’s reading of the relevant
chapters of Rabelais.” The dining room in Dashwood’s
house also had depictions of Bacchus. The east wing, built in
1754, is based on a Greek temple; the west wing is a reconstruction
of the temple of Bacchus, as seen by Dashwood at Smyrna. Their
food is consumed in his tradition and the subsequent sexual exploits
are deemed to be nothing but the famous drinking, eating and sexual
activities that were known to be held for the deity in ancient
times. It seems that the members even considered masturbation
a sacred act, as long as it was pledged to the goddess –
just like Bacchus drank in honour of the Goddess.
It should also not come as a surprise that many have observed
that Dashwood was influenced by The Golden Ass by Apuleius, in
which the central theme is an initiation into the Mysteries of
Isis – the Egyptian Venus – which also involves sexual
rites.
Medmenham
or the caves – with only the number 22 and 34 as “decoration”
– are not the only constructions that incorporate aspects
of Dashwood’s vision. The church of St Lawrence, built above
the cave system, has a ceiling that is a copy of that of the ruined
Temple of the Sun at Palmyra. The church itself has a golden ball
on top. Both elements reveal that Dashwood was not only influenced
by the ancient mysteries, but also by the ancient sun cults.
Still, Dashwood’s library reveals that he was also interested
in the Kaballah. Thus, the number 22, found inside the cave, can
be linked with the number of paths between the various spheres
of divine emanation in the Tree of Life. As for the local poem
that talks about a secret passage that is rumoured to be present
near the number 22:
Take
twenty steps and rest awhile
Then take a pick and find the style
Where once I did my love beguile
T’was twenty-two in Dashwood’s time
Perhaps to hid this cell divine
Where lay my love in peace sublime.
Sir
Francis Dashwood
The
presence of a secret “cell” in which a loved one is
resting in a sublime peace is very reminiscent of the tomb of
Venus, as she is portrayed in the Rosicrucian literature, which
revolves around the discovery of this secret chamber by Christian
Rosenkreutz, the mythical founder of the movement. As this literature
had circulated across Europe at the beginning of the 17th century,
Dashwood was no doubt familiar with it.
Those
who have studied Dashwood, believe they can sum up his vision
in the following statements:
- Britain should be ruled by a wise elite.
- This elite should represent true aristocracy.
- This elite should practice a religion based on the truths of
Nature.
- Women should be admitted, as equal partners.
When
we note that there were supposed to be always nine members present,
if we are to take the word of John Hall Stevenson, who founded
the Demoniacks, we should wonder – in light of his interest
in sex, including masturbation, and the sun cult – whether
Dashwood had perhaps been exposed to a system of political thought,
known as synarchy, that would be defined by Saint-Yves d'Alveydre
in the latter half of the 19th century, and which would equally
incorporate ancient symbolism, much of which is prominent in the
Hellfire club. Both Dashwood and Saint-Yves d'Alveydre furthermore
wanted this concept to bring about political change.
The
Hellfire club had at one point the most prominent members of British
society amongst its members. Suster notes that the Friars, by
1762, dominated the government of Great Britain. That same year,
their existence was made public, and it was revealed that the
Prime Minister, The Marquis of Bute, along with The Chancellor
of the Exchequer, Sir Francis Dashwood and another Cabinet member,
were members. This public outing, in a controversial manner, meant
that most members decided not to attend. It began to signal the
decline of the club. Still, no harm or ridicule to came to Dashwood
personally, becoming friends with Benjamin Franklin, the future
mastermind behind the American Revolution. But the club had had
its day. In 1766, the chapter room and other rooms in the abbey
were apparently stripped naked. Eventually, the lease on the abbey
was not renewed in 1777, whereby the last meeting of the club
is believed to have been held in 1774.
The
caves thus entered centuries of neglect. Though Medmenham had
been the centre of the club, the caves seem to have played a role
too – though any precise purpose has never been revealed.
Dashwood had a daughter, Rachel Fanny Antonina, who after her
father’s death got a reputation as being a “magnificent
witch”. She studied the occult books her father had left
her. She once said about the caves: “The clue to all my
troubles can be found in the heart of the hill”, never explaining
fully what she meant by that, but obviously referring to the caves,
if not the Inner Temple and what went on in there.
It
is clear that the Club practiced sexual activity, but perhaps
there was also a magical dimension to it. This may have been why
the caves were later believed to be “evil”. The caves
are unlikely to ever reveal their final secret, if only because
the club went apparently to great lengths to make sure no-one
would ever know. Gerald Suster writes: “It is said that
the steward, Paul Whitehead, spent the three days before his death
painstakingly burning all papers. If he did, one wonders why.
If he didn’t, one wonders why it was said.”
Whitehead died in 1774 – the year when the final meeting
of the club is believed to have taken place – and left his
heart to Sir Francis, together with 50 pounds for a marble urn.
On August 16, 1775 a procession occurred on Wycombe Hill, in which
the heart of Paul Whitehead, placed in an urn with a marble medallion
representing Asclepius, was carried to the newly constructed mausoleum.
A band of 31 musicians with a military escort carried the urn
to the graveyard.
The
Great Hall
The
oeuvre of Dashwood, however, can best be interpreted in light
of the club’s key message: “Do what you want…”
In Pantagruel, Francois Rabelais (1494-1553), relates the story
of Gargantua, the giant, who gives him an estate along the Loire,
where John, a Friar, realises his dream in founding the Abbey
of Theleme. Rabelais gives its exact dimensions, which are taken
from the Kaballah. It has six sides, which echoes the design of
the mausoleum that Dashwood created at West Wycombe. But that
is not all. Medmenham was an abbey that was located on the river
Thames. Francis considered him and his club to be “friars”.
Like Friar John realises his dream in the abbey of Theleme on
the river Loire, Friar Francis realised his dream in Medmenham
Abbey on the river Thames – and later in the creation of
the cave complex. Finally, let us not forget that it was believed
that the river Thames itself was named after Isis, the Egyptian
Venus…
Members
of the abbey in Rabelais’ account “did as they wanted”.
Or to quote Rabelais: “All their life was regulated not
by laws, statutes or rules, but according to their free will and
pleasure. They rose from bed when they pleased, and drank, ate,
worked and slept when the fancy seized them. Nobody woke them;
nobody compelled them either to eat or to drink, or to do anything
else whatever… In their rules there was only one clause:
do what thou wilt.”
And this is what no doubt the true purpose of Medmenham abbey
was: to provide a safe-haven for the top echelon of British society
to “do as they wanted”. No strings attached. Still,
as to what went on inside the caves… that is another matter,
one that may forever be condemned to the fire of hell…
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